April 9, 2007
Ivanhoe
For some obscure reason (as my colleague Karl-Heinz Finken used to say) I have been tripping on classic English literature lately. First it was Dickens’ Oliver Twist (which I just adored); now it’s on to an even nuttier chestnut, Ivanhoe. Something about the leisurely periods and formal set-pieces just completely knocks me out. Probably the same twisted gene that makes me love Gregorian chant and medieval saints’ tales.
But there may be more to it than that. In the wonderful scene between Ivanhoe and Rebecca that I just read, the debate is about the merit of glorious chivalric endeavor. Translate that set of issues to contemporary struggles we all face about ambition versus heart, and it’s really quite relevant. She says,
“Glory?” continued Rebecca; “alas, is the rusted mail which hangs as a hatchment over the champion’s dim and mouldering tomb — is the defaced sculpture of the inscription which the ignorant monk can hardly read to the enquiring pilgrim — are these sufficient rewards for the sacrifice of every kindly affection, for a life spent miserably that ye may make others miserable? Or is there such virtue in the rude rhymes of a wandering bard, that domestic love, kindly affection, peace and happiness, are so wildly bartered, to become the hero of those ballads which vagabond minstrels sing to drunken churls over their evening ale?”
I ponder this as I witness the explosion of increasingly amped up plugged-in-ness that surrounds me every day. Technology is the new glory. “Kindly affection, peace and happiness” seem entirely quaint, entirely old-fashioned, and yet I think we are starving to death together without them.